For 25 years I've been taking photographs. For the last 15, my work has been focused entirely on the spaces people build — residential interiors, commercial architecture, hospitality, retail and health and wellness. That focus has taken me from Long Island living rooms to Manhattan fitness clubs to retail properties across the country, and my work has been published in Architectural Digest, The New York Times, The Wall Street Journal, Dwell, and Luxe along the way.
But here's what I actually think about when I show up to a shoot: I'm not just here to make pretty pictures. I'm here because the images we create together are going to work for you long after the shoot day is over. They're going to be on your website, in your proposals, in your press submissions, and in front of every potential client who's deciding whether to hire you. That's not a content job. That's a business development job. And I take that seriously.
I've watched designers and architects build their careers from the ground up — solo practitioners who've grown into multi-person firms over the years we've worked together. I'm only part of that story, but I know that having strong visual assets from the beginning matters. It shapes how you're perceived, what clients you attract, and whether the right people take you seriously.
Photography has been part of my life since I was 12 years old. My father was a professional photographer and I grew up on his shoots — carrying equipment, changing lenses, loading film. It wasn't a hobby. It was an obsession. I knew early on that this was what I wanted to do, which led me to study photography at the School of Visual Arts in New York.
Twenty-five years later that obsession hasn't changed. What's changed is the depth of understanding I bring to every space I photograph — the ability to read a room, find the shot that tells the real story, and work alongside my clients in a way that feels less like hiring a vendor and more like bringing on a creative partner.
I serve as a board member of the Interior Design Society, Long Island Chapter, and am a member of the American Institute of Architects, NKBA, AIAP, and the A&D Collective. My work has been published in Architectural Digest, The New York Times, The Wall Street Journal, Dwell, Luxe, WWD, Hypebeast, and CPP-Luxury.
If you're building something worth preserving — or building a practice around work that deserves to be seen — I'd love to talk about how we can work together.
